Directors Cut

Directors cuts are slightly controversial, I am aware of this as I embark on the IOS version of Lords of Midnight. Although not a Directors Cut per sae, the involvement of Mike makes it sit somewhere between remake and directors cut.

There are many films that have received the Directors Cut treatment, some successfully, some not so. You have to ask, why the need to revisit the film. The integrity of the new release is brought into question; if the Director did not like the version put out at the original release, then why did they allow it be released? If they had no control over that aspect, then why now, other than for additional profit, are the studio allowing the film to be changed. That said, at least most Directors can retain some integrity, as they usually don’t have the rights for the Final Cut Privilege especially early in their career.

In books, we have the Authors Revised Edition. Again I wonder how an author can not release a book that is true to their original vision. I do however know that sometimes, again especially in the early stages of an authors career, the author does not have as much control as they would like, and indeed the editor may assert more of their vision.

I use Katharine Kerr’s Darkspell as a case in point. Her editor insisted at the time that parts of the story be changed so much, that it materially altered the overall intended message of the book. Kit was all to eager to put it right as soon as she had chance.
With Stephen King’s first book in the Dark Tower series ‘The Gunslinger’ it also makes sense that he would want to revisit the book and put right issues as the series expanded.

This brings me finally to music – why would a musician release a Directors Cut album that covers songs from not one previously released albums, but two? I understand doing some form of Uncut version where songs are stripped back to just the singer and some acoustic instruments, or even dramatically different versions that are almost covers in their own tight, but to release new tinkered versions of songs that you had full artistic control over at the time?

So, I bought Kate Bush’s Directors Cut with much trepidation – and I have to say, it’s awful.
She has taken a group of songs from two albums, placed them together out of context on a single album, reworked them in some mysterious way, for no obvious reason, and ultimately destroyed them.

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